在工作室一位女藝術(shù)家和她的模特在畫(huà)室里繪畫(huà)課情景,In the Studio-1888_阿爾弗雷德·埃米爾·利奧波德·史蒂文斯油畫(huà)作品欣賞。
一位女藝術(shù)家和她的模特在繪畫(huà)課上休息,歡迎參觀者來(lái)到工作室。畫(huà)架上是史蒂文斯版本的《莎樂(lè)美》,改編自1870年雷納德的名畫(huà)《莎樂(lè)美》(懸掛在附近)。背景被認(rèn)為是史蒂文斯的工作室,它因其收集的異國(guó)情調(diào)和豪華物品的時(shí)尚安排而受到贊賞。通過(guò)開(kāi)放的作品集、畫(huà)中畫(huà)和鏡子(反映一個(gè)平凡的煤爐),這件作品展現(xiàn)了藝術(shù)和現(xiàn)實(shí)之間的關(guān)系。
A female artist and her model take a break from a painting session to welcome a visitor to the studio. On the easel is Stevens' version of "Salomé," which is based on Regnault's famous painting of 1870 (hanging nearby). The setting is thought to be Stevens' studio, which was admired for its stylish arrangement of the exotic and luxurious objects that he collected. With the open portfolio, picture-within-the-picture, and mirror (reflecting a mundane coal stove), this work presents an elaborate play on the relationship between art and reality.